Literature in New England
Pilgrims, puritans in new England: historical, descriptive writers. The new England clergy: Theology in New England. The first half of the century, the personal touch. The revolutionary period. Writers of new York and Pennsylvania. Poetry, South, North.
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MINISTRY OF HIGHER AND SECONDARY SPECIAL EDUCATION
OF THE REPUBLIC OF UZBEKISTAN
GULISTAN STATE UNIVERSITY
The English and Literature Department
______________'s qualification work on speciality 5220100, English philology on the theme:
“Literature in New England”
1.1. The English in Virginia
II. Main part
2.1. Pilgrims and puritans in new England: historical and descriptive writers
2.1.1. The Pilgrims
2.1.2. The plymouth colony
2.1.3. Puritan Colonies in New England
2.3. The new England clergy: Theology in New England
2.2.1. The Clergy
2.3. Puritan poetry in new England
2.3.1. Early Puritan Poetry
2.3.2. The Bay Psalm Book
2.4. The first half of the century, the personal touch
2.5. The revolutionary period
2.6. Poetry of the revolution
2.6.1. The close of eighteen century. Transition
2.6.2. The new literature
2.7. Writers of new York and Pennsylvania
2.7.1. Novelists and humorists
2.7.2. Poetry, South and North
2.7.3. Scholars and essayists
During its early history, America was a series of British colonies on the eastern coast of the present-day United States. Therefore, its literary tradition begins as linked to the broader tradition of English literature. The problem is that unique American characteristics and the breadth of its production usually now cause it to be considered a separate path and tradition.And the aim of the work is to search deeply each step of these periods.
1.1 The English in Virginia: Captain John Smith, William Strachey, George Sandy
The story of a nation's literature ordinarily has its beginning far back in the remoter history of that nation, obscured by the uncertainties of an age of which no trustworthy records have been preserved. The earliest writings of a people are usually the first efforts at literary production of a race in its childhood; and as these compositions develop they record the intellectual and artistic growth of the race. The conditions which attended the development of literature in America, therefore, are peculiar. At the very time when Sir Walter Raleigh -- a type of the great and splendid men of action who made such glorious history for England in the days of Elizabeth -- was organizing the first futile efforts to colonize the new world, English Literature, which is the joint possession of the whole English-speaking race, was rapidly developing. Sir Philip Sidney had written his Arcadia, first of the great prose romances, and enriched English poetry with his sonnets; Edmund Spenser had composed The Shepherd's Calendar; Christopher Marlowe had established the drama upon heroic lines; and Shakespeare had just entered on the first flights of his fancy. When, in 1606, King James granted to a company of London merchants the first charter of Virginia, Sidney and Spenser and Marlowe were dead, Shakespeare had produced some of his greatest plays, the name of Ben Jonson, along with other notable names, had been added to the list of our great dramatists, and the philosopher, Francis Bacon, had published the first of his essays. These are the familiar names which represent the climax of literary achievement in the Elizabethan age; and this brilliant epoch had reached its full height when the first permanent English settlement in America was made at Jamestown in 1607. On New Year's day, the little fleet commanded by Captain Newport sailed forth on its venturesome and romantic enterprise, the significance of which was not altogether unsuspected by those who saw it depart. Michael Drayton, one of the most popular poets of his day, later poet laureate of the kingdom, sang in quaint, prophetic verses a cheery farewell: --
"You brave heroic minds,
Worthy your country's name,
That honor still pursue,
Go and subdue,
Whilst loitering hinds
Lurk here at home with shame.
"And in regions farre,
Such heroes bring ye forth
As those from whom we came;
And plant our name
Under that star
Not known unto our north.
"And as there plenty grows
Of laurel everywhere,
Apollo's sacred tree,
You it may see,A poet's brows
To crown, that may sing there." History of the American Literature M. High School 1987 pp.223-224
The Virginia Colony.
This little band of adventurers "in regions farre" disembarked from the ships Discovery, Good Speed, and Susan Constant upon the site of a town yet to be built, fifty miles inland, on the shore of a stream as yet unexplored, in the heart of a vast green wilderness the home of savage tribes who were none too friendly. It was hardly to be expected that the ripe seeds of literary culture should be found in such a company, or should germinate under such conditions in any notable luxuriance. The surprising fact, however, is that in this group of gentlemen adventurers there was one man of some literary craft, who, while leading the most strenuous life of all, efficiently protecting and heartening his less courageous comrades in all manner of perilous experiences, compiled and wrote with much literary skill the picturesque chronicles of the settlement.
John Smith, 1580-1631.
Captain John Smith, the mainstay of the Jamestown colony in the critical period of its early existence, was a true soldier of fortune, venturesome, resolute, self-reliant, resourceful; withal a man of great good sense, and with the grasp on circumstances which belongs to the man of power. His life since leaving his home on a Lincolnshire farm at sixteen years of age, had been replete with romantic adventure. He had been a soldier in the French army and had served in that of Holland. He had wandered through Italy and Greece into the countries of eastern Europe, and had lived for a year in Turkey and Tartary.
II. Main part
2.1 Pilgrims and puritans in new England: historical and descriptive writers
In the northern settlements, conditions socially and intellectually were very different from those existing in the South. The men who colonized New England represented a unique type; their ideals, their purpose, were essentially other than those which inspired the settlers at Jamestown and the later colonizers of Virginia. The band of Pilgrims who landed from the Mayflower at Plymouth in December, 1620, were not bent on mere commercial adventure, lured to the shores of the New World by tales of its fabulous wealth. They were not in search of gold; they were looking for a permanent home, and had brought their wives and children with them. Their ideals were of the most serious sort; their deep religious feeling colored all their plans and habits of life.
2.1.1 The Pilgrims
The Pilgrims were a congregation of l"Separatists" or non-conformists who had already endured hardness for conscience' sake before they had ever left the old home. Under the leadership of the Rev. John Robinson and Elder William Brewster, they had fled to Holland in 1608. For ten years, this community of Englishmen had lived peacefully in the Dutch city of Leyden, earning their own living and enjoying the religious liberty they craved; but they felt themselves aliens in a foreign land, and saw that their children were destined to lose their English birthright. After long deliberation, they determined "as pilgrims" to seek in the new continent a home where they might still possess their cherished freedom of worship, while living under English laws and following the customs and traditions of their mother-land.
2.1.2 The plymouth colony
This company of men obtained a grant from the London Company under the sane charter as that which had been given to the Virginia Colony. They finally set sail from Plymouth, in England, September 16, 1620. It was in the early winter when the Mayflower sighted the shores of Cape Cod. The story of "New England's trails," first told in the narrative of Captain John Smith, History of the American Literature M. High School 1987 pp.223-224. is as romantic as that of the Jamestown Colony and even more impressive.
Of the forty-one adult males who signed the famous compact on board the Mayflower, only twelve bore the title of "Gentlemen." They were a sober-minded, sturdy band of true colonizers, familiar with labor and inspired with the conviction that God was leading them in their difficult way. Although half the colony perished in the rigor of that first winter, for which they had been wholly unprepared, the spirit of the Pilgrims spoke in the remarkable words of their leader, Brewster: --
"It is not with us as with men whom small things can discourage or small discontentments cause to wish themselves at home again." 2
2.1.3 Puritan Colonies in New England
The companies of settlers who followed the Pilgrims within the next few years were composed of the same sturdy, independent class of thoughtful, high-minded men. They were Puritans, -- for the most part well-to-do, prosperous people; many of them had been educated in the universities, and brought the reverence for education with them. "If God make thee a good Christian and a good scholar, thou hast all that thy mother ever asked for thee," said a Puritan matron to her son. The colonists who within the next fifty years dotted the New England coast-line with their thrifty settlements were idealists. As Professor Tyler puts it, they established "not an agricultural community, nor a manufacturing community, nor a trading community; it was a thinking community." Moral earnestness characterized every action. In 1636, the General Court of Massachusetts voted to establish a college at Newtown; John Harvard, dying two years later, bequeathed his library and half his estate to the school, which was then named
2.2 The new England clergy: Theology in New England
Among a people constituted in temper like the Puritans, a people with whom religion was life and whose life even on its temporal side was closely identified with religion, it was natural that religious ideas should find constant expression in literature. This we have seen to be true in the historical narratives of Bradford and Winthrop. The Puritan writers are always impressed with the spiritual significance of their conquest in this new Canaan. Even the most casual accidents of pioneer experience are interpreted as filled with divine purpose. John Winthrop soberly records the fact that in his son's library of a thousand volumes, one, which contained the Greek Testament, the Psalms, and the Book of Common Prayer bound up together, was found injured by mice. Every leaf of the Common Prayer was eaten through; not a leaf of the other portions was touched, nor one of the other volumes injured. A marvelous providence this, clear enough in its indications. So Edward Johnson, not an educated man, but a farmer and a ship carpenter, who had been active in the founding of Woburn, in 1640, wrote his Wonder-Working Providence of Zion's Saviour in New England (1654). "For the Lord Christ intends to achieve greater matters by this little handful than the world is aware of."
The colonists are soldiers under the divine leader; they must not tolerate the existence among them of a single disbeliever; they must take up their arms and march manfully on till all opposers of Christ's kingly power be abolished. Thus spake Puritanism on the side of its austerity and fanaticism.
2.2.1 The Clergy
There was in New England one class of men who by natural aptitude and by training were well fitted to be heard from on religious topics. These were the ministers. As the village church, or meeting-house, was the centre geographically, morally, and socially, of every New England community, so the minister was, usually, the dominating force among his townspeople, maintaining the high dignity of the sacred calling with a manner which commanded a deference amounting to awe. Not only was his authority recognized on the purely religious questions of daily life, not only was his voice reverently heard as he preached for hours from the high pulpit on Sunday, but the New England minister was the natural leader of his flock in every field. He gave counsel in town affairs, he directed the political policy of his people. In cases of disagreement, the minister was usually the mediator and the final court of appeal. The greater part of the New England ministry were educated men of noteworthy gifts. The majority were graduates of the English universities; many of them had been distinguished for their eloquence and piety before the religious persecution of Charles and his ministers had driven them forth to find religious liberty elsewhere. PRIESTLEY, J. B. The English Comic Characters. London: The Bodley Head, 1925; reprinted 1963.
Three strong thinkers and eloquent preachers are usually mentioned as conspicuous among these early colonial ministers: Thomas Hooker, Thomas Shepard, and John Cotton. All three were graduates of the same college at Cambridge; all were Puritan preachers in England until compelled to flee for their lives because of the hostility of Bishop Laud.
Thomas Hooker, 1586-1647.
Hooker had escaped into Holland, and in 1633 followed in the track of those who had crossed the ocean before him. He became the minister at Cambridge. Three years later he led a colony of one hundred families through the wilderness into the beautiful Connecticut valley and founded the town of Hartford (1636). Here until his death, in 1647, Hooker wrote and preached and moulded the life of his parish. His power in the pulpit is said to have been wonderful. Many of his sermons were published; he wrote numerous treatises on theological and spiritual themes. It is significant of the impression left by Hooker on his contemporaries that an English clergyman affirmed that "to praise the writings of Hooker would be to lay paint upon burnished marble, or add light unto the sun."
2.3 Puritan poetry in new England
2.3.1 Early Puritan Poetry.9
The Puritans were not susceptible to the charms of poetry. The strenuous life of the pioneer left little time for cultivating any of the arts, and the spirit of New England was too serious and too stern to permit indulgence in what was merely pleasant or beautiful. Even after the first critical years of danger and struggle were past, the intellectual life of the people was bounded by the narrow limits of religious discussion and theological debate. That the Puritan was not without imagination, however, is abundantly proved by the forceful figures and impassioned rhetoric of the prose writers whom we have been considering. Moreover, some of these same men did occasionally slip into rhyme. William Wood has been quoted. 1 Even John Cotton was the author of verses, halting and rough-hewn, and full of the queer conceits which were common at the time. It is significant that this pious man wrote much of his verse in the pages of the household almanac, where it remained hidden from the public eye; and sometimes he disguised its metrical character by inscribing it in Greek.
Much ingenuity was expended upon epitaphs and obituary tributes -- so solemn a theme as that of death justifying poetical expression. If there were any opportunity to play upon the name of the deceased, the opportunity was gracefully seized. When the Rev. Samuel Stone, the successor of Thomas Hooker at Hartford, died in 1663, his colleagues vied with one another in their fervid appreciations of his virtues. He was compared to the stone which Jacob set up and called Ebenezer, and also to the stone with which David slew Goliath; he was termed
"Whetstone, that edgefy'd th' obtusest mind:
Loadstone, that drew the iron heart unkind."
- and this within the compass of a single epitaph.
One quotation will serve to show the skill with which these versifiers were sometimes able to conquer the difficulties of rhyme:--
"Here lies the darling of his time,
Mitchell expirлd in his prime;
Was four years short of forty-seven,
Was found full ripe and plucked for heaven." WATKINS, RONALD. Moonlight at the Globe. London: Michael Joseph, 1946.
2.3.2 The Bay Psalm Book
If poetry be rare among our forefathers, it is nevertheless true that the first English book printed in America passed for poetry with them, and for poetry of an edifying and noble type. The Whole Booke of Psalmes, commonly known as the Bay Psalm Book, was printed on the new press at Cambridge in 1640. 2 This work, designed to provide a metrical version of the Psalms of David, to be used in the churches, contains the joint efforts of three New England ministers -- "the chief divines in the country," -- Richard Mather of Dorchester, Thomas Welde, and John Eliot, of Roxbury. The preface, written by Mather, declares that
"It hath been one part of our religious care and faithful endeavor to keep close to the original text. . . . If, therefore, the verses are not always so smooth and elegant as some may desire or expect, let them consider that God's altar needs not our polishings, for we have respected rather a plain translation than to smooth our verses with the sweetness of any paraphrase; and so have attended Conscience rather than Elegance, fidelity rather than poetry."
In illustration of the art displayed by these divines in their paraphrase, historians have invariably cited some of the most atrocious of the compositions. This seems hardly fair. The following examples are sufficient to show the average result of "the sad, mechanic exercise" of these godly men:--
"I in the Lord do trust; how then
to my soul do ye say,
As doth a little bird, unto
your mountain fly away?
"For lo the wicked bend their bow,
their arrows they prepare
On string; to shoot in dark at them
in heart that upright are."
From paraphrase of Psalm xi.
"Praise ye the Lord, praise God
in's place of holiness;
2.4 The first half of the century, the personal touch
In the study of literature, there is nothing more gratifying than the discovery of an author who has unconsciously put himself visibly into his book. Two or three American writers wrote thus amiably at this period of our colonial history, and their works form an interesting and welcome group.
The most prominent of these was Judge Samuel Sewall, who arrived in America in 1661 and settled at Newbury. He was a conspicuous man in the Massachusetts colony and became the Chief-justice of Massachusetts. Like his friend, Cotton Mather, he was involved in the witchcraft delusion and was one of the judges who condemned the victims to death. His repentance, his dramatic confession of error and his annual fast are familiar tradition. It should be remembered, also, that in a little book, The Selling of Joseph (1700), Judge Sewall wrote the first published argument against slavery. From 1673 to 1729, Samuel Sewall kept a diary -- and thereby left for generations of readers to come one of the most frank and unconventional records of the time. The publication of this journal 1 shows that it is worthy of a place with that of Samuel Pepys (pronounced Peps), of London, whose celebrated Diary covers the decade of 1659-69. The social life of colonial New England is most happily illustrated in Sewall's memoranda; and the stiff stateliness of the stern old Puritan type loses at least its solemnity when we read the Judge's record of his unavailing suit for the hand of Madam Winthrop.
[Oct. 6, 1720.] "A little after 6 P.M. I went to Madam Winthrop's. She was not within. I gave Sarah Chickering the Maid 2s., Juno, who brought in wood 1s. Afterward the Nurse came in, I gave her 18d having no other small Bill. After a while Dr. Noyes came in with his Mother [Mrs. Winthrop]; and after his wife came in: They sat talking, I think, till eight a'clock. I said I fear'd I might be some interruption to their Business; Dr. Noyes reply'd pleasantly: He fear'd they might be an Interruption to me, and went away. Madam seemed to harp upon the same string [she had previously declared that she could not break up her present home]. Must take care of her children; could not leave that House and Neighborhood where she had dwelt so long. I told her she might doe her children as much or more good by bestowing what she laid out in House-keeping, upon them. Said her son would be of Age the 7th of August. I said it might be inconvenient for her to dwell with her Daughter-in-Law, who must be Mistress of the House. I gave her a piece of Mr. Belcher's Cake and Ginger-Bread wrapped up in a clean sheet of Paper; told her of her Father's kindness to me when Treasurer, and I Constable. My daughter Judith was gone from me and I was more lonesome -- might help to forward one another in our journey to Canaan. -- Mr. Eyre came within the door; I saluted him, ask'd how Mr. Clark did, and he went away. I took leave about 9 a'clock."
The Judge's suit did not prosper.
"8r, 21 [October 21.] Friday, My Son, the Minister, came to me p.m. by appointment and we pray one for another in the Old Chamber; more especially respecting my Courtship. About 6 a-clock I go to Madam Winthrop's. Sarah told me her Mistress was gone out, but did not tell me whither she went. She presently ordered me a Fire; so I went in, having Dr. Sibb's Bowells History of the American Literature M. High School 1987 pp.223-224with me to read. I read the first two Sermons, still no body came in: at last about 9 a-clock Mr. Jn.o Eyre came in; I took the opportunity to say to him as I had done to Mrs. Noyes before, that I hoped my visiting his Mother would not be disagreeable to him; he answered me with much Respect. When it was after 9 a clock He of himself said he would go & call her, she was but at one of his Brothers: A while after I heard Madam Winthrop's voice enquiring something about John. After a good while and Clapping the Garden door twice or thrice, she came in. I mentioned something of the lateness; she bantered me, and said I was later. She received me Courteously.
2.5 The revolutionary period
In the second half of the eighteenth century, our literature presents the vivid reflection of that momentous struggle for independence upon which the American colonies had entered. Fiery speeches, able arguments set forth in newspapers and in pamphlets, sharp and bitter satire served to give utterance to the thought and passion of men's minds. One feature of this activity must be emphasized: geographical lines were now forgotten; the literature of this period is no longer local; essayists, versifiers, orators were inspired by a common purpose and by a devotion to the interests of the country at large.
James Otis, 1725-83.
Greatest of the Massachusetts orators and conspicuous at the beginning of the struggle was James Otis. He was a graduate of Harvard, and a prominent lawyer in Boston. In 1761, following the accession of George III, in the previous year, there arose in Massachusetts a debate over granting the new Writs of Assistance to officers of the customs in that colony. In February of that year, Otis, in the council chamber at Boston, delivered an argument against the legality of these writs which is sometimes described as the prologue of the Revolution. Of this passionate address, no complete record exists, but John Adams, who reported it, declares that American independence was then and there born. "Otis was a flame of fire," Adams declares. "Such a profusion of learning, such convincing argument, and such a torrent of sublime and pathetic eloquence -- that a great crowd of spectators and auditors went away absolutely electrified." Three years later, Otis published a pamphlet, The Rights of the British Colonies Asserted and Proved -- one of the most acute and powerful among the many political papers of these years.
The historic events of the period came in quick succession. The Stamp Act, passed in 1765, was repealed in the following year; but taxes on tea, paper, glass, paints, and other articles were levied in 1767. Petitions, appeals, and resolutions were numerous. Pamphlets and essays appeared in great numbers. To these years belong the political papers of Franklin, who contributed vigorously to these discussions. Samuel Adams (1722-1803), tax collector of the town of Boston, was a voluminous essayist -- of whom a tory governor declared "every dip of his pen stings like a horned snake."
Both sides participated in this fierce debate, for there were not a few in the colonies who remained loyal to England throughout the struggle. Following the assemblage of the first Continental Congress, in 1774, there appeared in New York a series of four pamphlets dealing with the great questions of the time from the tory standpoint. These were signed "Westchester Farmer"; they were incisive, picturesque, witty, and readable. "If I must be devoured, let me be devoured by the jaws of a lion, and not gnawed to death by rats and vermin," declared the audacious pamphleteer. These papers aroused a storm of patriotic protest in the midst of which it is interesting to find a pamphlet entitled The Farmer Refuted, the essay of a youth of eighteen, young Alexander Hamilton, then a student in King's College. The "Farmer" was identified with the Rev. Samuel Seabury, and Episcopal clergyman of Westchester, New York, and was made to pay dearly for his bold utterances by some of the excitable patriots in his vicinity. He suffered many indignities, but after the close of the conflict resumed his position and ended his life in peace, honored by many of his former foes.
Chief among the orators of the South was Patrick Henry (1736-99), of whom Jefferson said: "He appeared to me to speak as Homer wrote." It was he who in the opening speech of the first Congress uttered the ringing declaration, "I am not a Virginian but an American"; and he who in the Virginia Assembly, March 23, 1775, delivered the address which ranks as one of the classics of American eloquence. Along with Otis, in the North, stands the familiar figure of John Hancock (1737-93). In the speech which he delivered in 1774, on the anniversary of the Boston Massacre, he expressed in characteristic phrases the fervor of the time: "Burn Boston and make John Hancock a beggar, if the public good requires." Joseph Warren
2.6 Poetry of the revolution
The Revolutionary period was not without its poets. From the beginning of the conflict, in 1775, to the end, there was a copious flow of verse which sprang naturally enough from the turbulence of popular excitement and emotion. Here and there among the crude productions of these unschooled rhymers, one comes upon compositions which show an unexpected strength of feeling expressed with considerable literary art. This is especially true of the political satires and the ballads which are conspicuous in Revolutionary literature.
Jonathan Odell, 1737-1818.
Foremost among the tory versifiers -- for both parties in the contest had their literary champions in metre as in prose -- was Jonathan Odell, who invoked the muse thus: --
"Grant me for a time
Some deleterious powers of acrid rhyme,
Some ars'nic verse, to poison with the pen
These rats who nestle in the lion's den."
Odell came of pioneer Puritan stock and was himself a native of New Jersey. he was a graduate of Princeton, and became a surgeon in the British army. He later went to England, where he took orders for the Church.
Returning to New Jersey, he became rector of the parish in Burlington. With the outbreak of hostilities, and the development of violence against all suspected of royalist sympathies, the clergyman was forced to take flight; and as a refugee, he remained in New York until the evacuation of the British troops.
Odell's literary talent was soon engaged in the composition of satiric poems; modeled on the satires of Dryden and Pope, they show considerable merit. Odell wrote with a trenchant pen. There is no humor in his satire -- it is wit, caustic, biting; the tone of his verse is the tone of bitter, implacable invective. Four satires, all written in 1779, furnish the best examples of his verse: The Word of Congress, The Congratulation, The Feu de Joie, and The American Times. The following lines from the last of his satires are sufficient to exhibit his skill in satire and in verse:--
"What cannot ceaseless impudence produce?
Old Franklin knows its value and its use:
He caught at Paine, relieved his wretched plight,
And gave him notes, and set him down to write.
Fire from the Doctor's hints the miscreant took,
Discarded truth, and soon produced a book, --
A pamphlet which, without the least pretence
To reason, bore the name of Common Sense.
The work like wildfire, through the country ran,
And Folly bowed the knee to Franklin's plan.
Sense, reason, judgment were abashed and fled,
And Congress reigned triumphant in their stead." A.Paine Literature and works Washington 2002 pp.160-161.
Persistent in his attitude, irreconcilable and belligerent still, Jonathan Odell forsook the colonies at the close of the contest and migrated to Nova Scotia, where he lived to old age, unconvinced and unrelenting to the last.
The Hartford Wits.
Three Revolutionary poets of large and serious purpose, and widely famed in their generation, may be grouped together, not only because of some similarity in their verse, but also because they were all Connecticut men; two were conspicuous members of a coterie noted as "the Hartford Wits." That Connecticut town, indeed, enjoyed a reputation as a literary centre through the exploits of this group. The two Hartford poets were John Trumbull and Joel Barlow; the third of this group was Timothy Dwight.
2.6.1 The close of eighteen century. Transition
Coincidentally with the satires, the epics, the songs and ballads, which owed their measure of inspiration immediately to the spirit of that strenuous time, we note also the appearance of a different school of verse which meant infinitely more in the development of our literary art.
Philip Freneau, 1752-1832.
Among the satirists of the Revolutionary epoch, there was none whose pen was readier or sharper in its thrusts than Philip Freneau; and among the poems of the war itself, none holds a firmer place in our literature than Freneau's brief elegy on the valiant who died at Eutaw Springs. One line of this poem was thought worthy of adaptation by the author of Marmion. But Freneau's strongest claim for remembrance lies in a few compositions which mark the beginning of nature poetry in America.
Philip Freneau owed his foreign name to Huguenot ancestry, but he was born in New York and was graduated, in 1771, at Princeton, where he had been a classmate and room-mate with James Madison. In the early part of his career Freneau engaged in commercial ventures in the West Indies and made frequent voyages, commanding his own vessel. Once (in 1780) he was captured by the British and was for several weeks confined in an English prison ship in New York harbor. The hardships of this experience are rehearsed in a poem entitled The British Prison Ship, filled to the brim with the horror and rancor of his suffering. Many another fierce broadside did he hurl at the nation's foe, until hostilities ceased. After the war, Freneau entered journalism, but his later years were comparatively inactive. Near the close of his eightieth year, on a December night, returning to his home from a gathering with friends, he lost his way in the snow and fell by the road-side; the next morning he was found dead.
The Nature Poems.
The compositions which have done most for Freneau's fame as a poet belong to his earlier years. In these productions, we find the beginning of genuine nature poetry in America. Here we have Freneau's opening lines on The Wild Honeysuckle:--
"Fair flower, that dost so comely grow,
Hid in this silent, dull retreat,
Untouched thy honied blossoms blow,
Unseen thy little branches greet;
No roving foot shall crush thee here,
No busy hand provoke a tear."
Of a different tenor are two poems in pensive key: The Indian Student and The Indian Burying-ground. In all these compositions, we feel the spirit of a true poet who loves Nature and responds to her appeals spontaneously and without artifice. There had been a few previous attempts at this form of treatment in American verse, but they had been isolated instances and had failed of the excellence attained by Freneau. These poems are therefore the more worthy of note. The volume which contains these productions appeared in 1786 -- the same year in which the first volume of the poems of Robert Burns was published; and twelve years before the Lyrical Ballads introduced William Wordsworth as the first recognized champion of simplicity and naturalness in English verse.
2.6.2 The new literature
With the turn of the century, our young republic entered upon an era of expansion and development which can be described only as marvelous. The rapid progress in the settlement of the West, the influx of foreign immigration, the growth of the larger cities, extension of transportation systems by construction of canals and government roads, application of the new inventions employing the power of steam in river navigation and on railroads, -- these features of American progress during the first fifty years in our first completed century of national existence can be here but thus briefly summarized. It is unnecessary to attempt a full historical outline of that period of growth and change except to note that coincidentally with this expansive period of material prosperity and growth, our national literature entered upon what we may not inaptly term its golden age -- the age of its best essayists, novelists and poets, our real American men of letters.
Birth of the New Literature.
We have traced the slow steps of literary effort recorded in the several colonies to the close of their existence as colonies; and, immediately after the period of revolution, we have recognized the new and fresh impulse of creative imagination in the little group of simple nature-poems by Philip Freneau, and imaginative power of somewhat differing type in the sombre but not altogether unreal romances of Charles Brockden Brown. But Freneau and Brown are only heralds of coming achievements; of the appearance of a literature national in scope and of importance sufficient to command recognition by the people of England and the Continent, and possessed of an artistic excellence felt and enjoyed by all.
There were evidences of literary activity in Boston, in Philadelphia, and in New York. Little groups of literati, as they liked to call themselves, mightily interested in the development of a national literature, gave an atmosphere that was helpful to literary effort; and they themselves accomplished what could be accomplished by interest, patriotism, and industry when joined with talent, modest if not mediocre. For some reason, New York took precedence over Boston and Philadelphia in these first decades of the nineteenth century and not only sheltered a coterie of enthusiastic, congenial comrades of the pen, whose lively essays in both prose and verse provoked the humor of the town, but pushed into the light of more than local fame the names of Paulding, Halleck, Drake, and Dana; and before the quarter mark in the century was reached had produced two of the century's greatest writers, Irving and Cooper. These are the Knickerbocker writers, so called in deference to the old Dutch traditions of Manhattan, the spirit of which was directly inherited by most of them, and the influence of which appeared to some extent in their work. In 1825, the poet Bryant came to live in New York, and his name is therefore grouped with those already mentioned, although not a native of the state. He was, however, of their generation and, like Halleck and Dana, an adopted son of New York.
Family and Birth.
Washington Irving was born in the city of New York, April 3, 1783. It was the year which marked the end of the long struggle for liberty and the beginning of peace. The British troops evacuated the city and the Continental forces assumed possession. "Washington's work is ended," said Mrs. Irving, "and the child shall be named after him." Some six years later, we are told, when the first president returned to New York, then the seat of government, a Scotch maid-servant of the family finding herself and the child by chance in the presence of Washington, presented the lad to him. "Please, your honor," said Lizzie, all aglow, "here's a bairn was named after you." And the Father of his Country gravely laid his hand upon the head of his future biographer and blessed him.
The household in William Street was comfortably well-to-do. The father, William Irving, a Scotchman, born in the Orkney Islands, and until his marriage an officer upon a vessel plying between Falmouth and New York, was now engaged in the hardware trade. He was a man of strict integrity, rather severe in his attitude toward life, with a good deal of the old strict Covenanter spirit in his make-up. He took little interest in amusements, required that at least one of the half-holidays in every week should be piously employed with the catechism, and saw to it that his children were well grounded in sound Presbyterian doctrine. The mother, daughter of an English curate, was far less rigid in her views and more vivacious in temperament. Needless is it to say that the future chronicler of the Knickerbocker legends resembled the mother more closely than the father in his inheritance of spirits. Full of drollery and mischief, the boy ran merry riot, sometimes a source of perplexity even to the more indulgent parent, who once was heard to exclaim: "O Washington, if you were only good!" He loved music and delighted in the theatre, whither, in spite of his father's prejudices, the boy often betook himself, secretly, in company with his young comrade, Paulding.
Irving's training was desultory, and his schooling ended at sixteen. This cutting short of the school-days was due to the state of his health in these early years, which forbade confinement or close association with books. Yet he read, and read intelligently, becoming familiar with the best, especially books of travel, voyages, and adventure. In his rambles about the city -- for he lived much out of doors -- he oftenest turned toward the docks, dreamily wandering among the piers and along the waterside with mind apparently stirred by the sight of the shipping and the romantic suggestions of foreign lands. Up the Hudson, also, he wandered -- into the Highlands and over all the country-side, until the suburbs of Manhattan and the picturesque region of the Catskills were familiar ground.
James Fenimore Cooper was thirty years old when he began to write. He was then living in Westchester County, not far from the city of New York, on what was known as the Angevine Farm, a beautifully situated estate commanding an extended view of the Sound. His resignation from the Navy nine years before had been coincident with his marriage to a Miss De Lancey, whose father during the Revolutionary War had supported the cause of the Crown. Cooper himself had not settled down to any definite vocation -- least of all had any thought of a literary career entered his head.
"He knew the country like a fox or a bird and passed through it as freely by paths of his own. . . . Under his arm he carried an old music-book to press plants; in his pocket his diary and pencil, a spy-glass for birds, microscope, jack-knife and twine. He wore straw hat, stout shoes, strong gray trousers, to brave shrub-oaks and smilax, and to climb a tree for a hawk's or squirrel's nest. He waded into the pool for the water-plants, and his strong legs were no insignificant part of his armor. . . . His power of observation seemed to indicate additional senses. He saw as with microscope, heard as with ear-trumpet, and his memory was a photographic register of all he saw and heard. . . . Every fact lay in glory in his mind, a type of the order and beauty of the whole. His intimacy with animals suggested . . . that `either he had told the bees things, or the bees had told him.' Snakes coiled round his leg, the fishes swam into his hand, and he took them out of the water; he pulled the woodchuck out of its hole by the tail, and took the foxes under his protection from the hunters."
In 1845, Thoreau built for himself a cabin on the shore of Walden Pond, and here for two years he lived, cultivating potatoes, corn, and beans sufficient for his subsistence, recording his observations of all natural phenomena, and transcribing from his journal the narrative of an excursion taken with his brother in 1839. It is this experience in his life with its subsequent record which has more than anything else aroused interest in the personality of Thoreau. "My purpose in going to Walden Pond," he says, "was not to live cheaply nor to live dearly there, but to transact some private business with the fewest obstacles."
Edgar Allan Poe was born January 19, 1809. That his birth occurred in Boston was due to the fact that his parents, members of a theatrical company, were filling an engagement in that city when the event occurred. David Poe, the father of the child, was a Southerner, a native of Baltimore, where the Poes were people of character and standing. Connection with the parental home had ceased, however, when the young man had recklessly pushed his law-books aside for an uncertain career upon the stage. He was never a brilliant actor; the lady whom he married was by far his superior in their profession, and possessed the more vigorous personality of the two. It was from his mother that Edgar inherited his artistic temperament; while the prevailing weaknesses of the boy's later life, it is safe to assert, were a natural inheritance from his father. Within a year of Edgar's birth, his father died, and a year or two later Mrs. Poe also died, at Richmond, Virginia, in poverty, leaving three young children to the charity of friends. A Mrs. Allan, wife of a tobacco merchant of Richmond, had become interested in the suffering family, and took Edgar into her home.
Daniel Webster, 1782-1852.
Among the men conspicuous in public life, who by reason of their argumentative skill and the power of their eloquence were the nation's leaders during the critical years of the century, the first to be mentioned is Daniel Webster. No more commanding personality has ever moved among American statesmen. His portrait -- after those of Washington and Lincoln -- is the most familiar of those in our national gallery. So impressive was he in presence, so leonine in feature, that his personal appearance struck every listener with awe. "That amorphous, crag-like
face; the dull black eyes under the precipice of brows, like dull anthracite furnaces needing only to be blown; the mastiff mouth, accurately closed" -- this is the way in which Carlyle described his picture. He was an acute reasoner as well as an eloquent speaker. His famous arguments in the Dartmouth College case (1818) and in the White murder case at Salem (1830) are models of logical structure. His orations at the two hundredth anniversary of the landing of the Pilgrims (1820), at the laying of the corner-stone of Bunker Hill Monument (1825), and at the completion of the monument (1843) are noted examples of his eloquence. It was his self-appointed task to guard the integrity of the Constitution; and it was this idea which inspired the best known of all his great addresses, the Reply to Hayne, delivered in the United States Senate in 1830. It was his devotion to the Union and the preservation of national unity which led to his support of compromise measures when the separation of South and North seemed imminent; and it was this which brought forth the speech on the seventh of March, 1850, -- the speech which aroused the indignation of the anti-slavery party in New England and drew from Whittier that scathing utterance of disappointment and grief, the poem Ichabod. Webster was born at Salisbury, New Hampshire. He studied at Phillips Academy, then recently founded at Exeter, and was graduated from Dartmouth College in 1801. He practiced law in Portsmouth and served for a term as a representative of New Hampshire in Congress. In 1816, he removed to Boston, again went to Congress, and then entered the Senate in 1827. He was Secretary of State (1841-1843), and returned to the Senate in 1845. His home was at Marshfield, Massachusetts, at the time of his death.
Representing the South in the arena of political debate were John C. Calhoun (1782-1850) and Henry Clay (1777-1852); while the names of Rufus Choate (1799-1859) and Edward Everett (1794-1865) are joined with that of Webster, as representative of the eloquence of New England. Foremost among the orators developed by anti-slavery sentiment in the North were Wendell Phillips (1811-1884) and Charles Sumner (1811-1874). The eloquent voice of Henry Ward Beecher (1813-1887) was raised in the same cause. Nor should the names of Stephen A. Douglas (1813-1861) and Abraham Lincoln (1809-1865) be omitted from this list. In a dramatic series of public debates conducted in 1858 upon the prairies of Illinois, Lincoln and Douglas contended over the great issue of the time, -- the institution of slavery and the momentous national problem to which it had given rise. While nominally a campaign for the Illinois senatorship, this remarkable discussion between the rival candidates -- Douglas, the national leader of the Democratic party, and Lincoln, the candidate of the recently organized Republicans -- aroused the interest of the entire country. Mr. Douglas was elected to the Senate; but the contest made Lincoln, two years later, the logical candidate of the Republican party for the presidency of the United States. It is not necessary here to discuss the genius of Abraham Lincoln. His lowly origin, his primitive surroundings, the scanty education, the unique personality, the lofty spirit in the awkward, almost grotesque frame, are all parts of a familiar story. He was yet another in the group of socalled self-made men in whom genius has triumphed over circumstances. It should not be forgotten that the opponent of the highly trained, debonair Douglas had had his forensic training during twenty years of practice before the Illinois bar, and that he was regarded as the best jury lawyer in the state; nor that theauthor of the speech at Gettysburg had steeped his mind in youth with the English of Shakespeare and the Bible -- almost his
2.7 Writers of new York and Pennsylvania
For some time, our attention has been centred for the most part in the work of our New England writers; but we must not think that the literary activity of this long period was confined to the immediate vicinity of Boston. The cities of Philadelphia and New York had each its coterie of literary workers. In the rapidly growing metropolis, the generation following that of Irving and his associates of the Knickerbocker group was not without its representatives of greater or less distinction, among whom at least two, Bayard Taylor and George William Curtis, deserve especial recognition. Both were men of letters in the broadest sense, versatile in talent and giving expression to that talent in varied literary forms.
Bayard Taylor, 1825-1878.
Taylor was born in a Quaker household upon a Pennsylvania farm, and as a child was conscious of two ambitions: to travel and to become a poet. His literary ambition was gratified prematurely by the publication of a volume of verse, Ximena, -- afterward regretted, -- in 1844. In the same year, his twentieth, he sailed for England, having arranged with several editors to print the letters which he purposed to write while on his travels. For nearly two years, he tramped about over Europe enduring much hardship; his letters were published in 1846, under the title of Views Afoot, or Europe seen with the Knapsack and Staff. An editorial connection with the New York Tribune followed; and in 1849, Taylor was sent to California to report upon the fortunes of the gold-seekers. The next year his letters to the Tribune appeared in the volume Eldorado. A trip to the far East in 1851 resulted not only in more correspondence but also in a volume of verse, Poems of the Orient (1854), containing some of his best compositions, including the Bedouin Song. Bayard Taylor's fame as a traveler and an entertaining descriptive writer was extended by successive volumes recounting his experiences in Africa, in Spain, in India, China, and Japan, and in the northern countries of Europe. But he was ambitious to fill a higher place in literature.
Novels and Poems.
In 1863, he produced his first novel, Hannah Thurston, and the next year, his second, John Godfrey's Fortunes, which is to some extent autobiographical. The Story of Kennett (1866), a semi-historical romance, is his most successful work of fiction. A long and elaborate narrative poem, The Picture of St. John (1866), was followed by The Masque of the Gods (1872), and Lars: a Pastoral of Norway (1873). Other volumes of verse were published in the latter years of his life, including The National Ode, written for the Centennial at Philadelphia in 1876; but no one of Taylor's original efforts resulted in any enduring success. He wrote tirelessly and unceasingly, yet without that inspiration which gives immortality to the works of genius. His one achievement which will most certainly endure is the translation of Goethe's Faust, the two parts of which were published in 1870 and 1871. This altogether admirable version of the German poet's masterpiece ranks with Bryant's Homer and Longfellow's Dante, if it does not surpass them in this delicately difficult field of poetical translation.
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